Scholarship from across SHASS and beyond
Over the symposium’s two days, research presentations, panel discussions, and performances offered attendees opportunities to engage with the role of SHASS in exploring today’s biggest societal questions.
“We gather not so much to look back over the past 75 years, but to showcase where we are now, and share what we urgently aim to tackle together in the years ahead,” said David Kaiser, Germeshausen Professor of the History of Science and professor of physics at MIT, who also served as chair of the symposium planning committee.
The first day included a session on teaching and learning innovations. Faculty presented on the success of educational programs housed within SHASS, including the MIT Indigenous Languages Initiative Master’s Program, the Master in Data, Economics, and Design of Policy (DEDP), and MISTI, the hub for global experiences for MIT students.
Stephanie Seed, associate professor of literature, spoke about why she and others are working to reintegrate classic books into their teaching.
“MIT, of course, is an institution unusually oriented towards the future,” she said. “Our students are trained to imagine and create worlds that don’t yet exist. And it’s precisely this future orientation that makes reading the past especially important here.”
Eric Klopfer, professor of Comparative Media Studies/Writing and co-author of MIT’s recent report on AI and instruction, said this is a moment when instructors must reassess how courses are taught.
“I don’t know exactly what that looks like, but I do think it means something that’s more than modifying our curriculum. I think it really means rethinking what the educational experience is,” he said.
During a session on computing and society, panelists described different views and research into technology and how it affects humans.
“We project aspects of ourselves onto computational systems,” said MIT Professor D. Fox Harrell during his talk about seeing “selfness” in machines.
“What makes an AI system is not just the code, not just the programming or the algorithm, it’s the fact that we narrate it as being intentional,” he said.
Program in Science, Technology, and Society Professor Sherry Turkle offered a skeptical view of human-technology interaction, particularly with AI chatbots, which she describes as “intimate machines.”
“If social media came for our attention, I argue that chatbots are coming for our capacity for attachment, which is deeper and much more troubling,” said Turkle.
Professor David Autor, head of the Department of Economics, said it’s an exciting time to be working at MIT, where scholars are collaborating to explore AI’s impact on society.
“I don’t think there’s a close analogy to a moment when everyone felt the world change so quickly,” he said. “The stakes feel incredibly high.”
Celebrating the arts and engaging with the future
The first day concluded with a rousing Music and Theater Arts performance showcase, which began with an excerpt from Stan Lai’s “A Dream Like A Dream,” a play directed and performed by students and instructors in class 21T.100 (Theater Arts Production).
“Variations on the Theme of SHASS 75,” a piece choreographed by Dan Safer, senior lecturer and director of dance programs, combined movement, lighting, and music in a celebration of both the human body and the school’s milestone anniversary.
Student and faculty musicians from a variety of styles and disciplines shared the stage, including Rambax MIT, MIT Concert Choir, and the MIT All-Star Jazz Combo. The showcase included stirring renditions of “Madrigal,” composed by Vice Provost for the Arts Keeril Makan, and “Prayer for Peace.”
On the second day of the symposium, several alumni presented on their current work and the impact of their SHASS experiences.
Jessica Coon PhD ’10, now a professor of linguistics at McGill University, spoke about the leading role MIT Linguistics plays in preserving endangered languages, and how her studies at MIT prepared her to carry on that work.
“SHASS gives us the tools not just to conduct research, but to communicate the impacts of this research across a variety of different audiences and in different ways,” she said.
Ankita Reddy ’19 double-majored in anthropology and biology and is now an MD/PhD student at the University of Pennsylvania. She highlighted her most impactful SHASS courses, including 21A.308 (Global Mental Health).
“This was the first time I was forced to consider how good health care looks different based on social systems and cultural practices,” she said. “SHASS made me more comfortable with, and more curious about, complexity.”
During the symposium’s final session, panelists engaged in a conversation about AI, art, and the implications for creatives in an era where their art can be co-opted and copied.
“There’s so much praise for new and upgraded technologies,” remarked associate professor of literature Sandy Alexandre. “The question I consistently have is: What does it mean to be an upgraded human being? How are we innovating as technology is innovating?”
Philosopher Justin Khoo said AI’s role in art could be considered a “giant paint brush you don’t have much control over,” adding he could see the creation of new sub-genres of art that are human-only, AI-infused, and purely AI, for example.
Khoo closed by saying he encourages students to “think broadly, and really take seriously the humanistic education here at MIT.”
“A broad understanding of a set of concepts which are widely applicable, not just narrowly applicable, I think that’s what we need more than ever now,” he said.
As the symposium came to a close, attendee Kent Sahin praised the event.
“I’ve attended every session, and this is a fantastic program and a great celebration of the 75th anniversary,” he said. “Clearly, whether it’s AI impact, the impact of climate change, or the impact of political and social change, SHASS is in the right place at the right time.”
